The Taste of Money (2012) (2024)

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• Number of Screens : 642

• Total Admissions : 1,166,003

• Total Gross : $6,369,194

As of Apr 18, 2024

• IM Sang-soo - Director

• SEO Jeong-hoon - Producer

• LEE Nam-hee - Executive Producer

• Daisy Entertainment - International Sales

• KIM Kang-woo - JU Young-jak

• BAEK Yoon-sik - Mr.YOON

• YOUN Yuh-jung - BAEK Keum-ok

• KIM Hyo-jin - YOON Na-mi

• ON Ju-wan - YOON Cheol

• KWON Byung-gil

  See Also

  The Taste of Money (South Korea, 2012) - Review19 Famous Korean Foods In South Korea (Must Try)

• HWANG Jung-min

• KIM Eung-soo

• JUNG Won-joong

• GAL So-won

• BACK Jong-hyeon - Generator

• CHOI Chang-sung - Technical Director

• CHOI Soon-ho - Technical Director

• CHOI Yeon-sik - Art Director

• Chang Won-Ick - VFX Management

• Choi, Youngjong - Assistant Director

• EUN Hee-soo - Production Sound Mixer

• GANG Dong-eok - VFX Artist

• HAN Chung-gu - Technical Director

• HAN Dong-sung - Trailer

• HAN Joo-hee - Foley artist

• HAN Yong Min - Electrician

• HONG Jae-sik - Camera Operator

• HONG Jang-pyo - Special Effect

• HYO JEONG HWANG - VFX Artist

• Hwang Soo-bin - Online Markting

• IM Sang-soo - Screenwriter

• JANG Kang-seok - Technical Director

• JANG Sung-ho - VFX Supervisor

• JEON Yong-hoon - Steady Cam

• JUNG Hye-ri - DI

• JUNG Myung-hwa - Trailer

• Jaeseok Kim - VFX Artist

• Jang Deok-Jae - Electrician

• Jee Young Lee - VFX Management

• KIM Chang-sub - Sound,Sound Effect

• KIM Hak-soo - Grip

• KIM Hong-jip - Music Director

• KIM Hyung-hee - DI

• KIM Hyung-yong - Electrician

• KIM Jin-ju - Costume Assistant

• KIM Joon - Production Design

• KIM Jung-gon - Set

• KIM Jung-woo - Set Team

• KIM Ki-seo - VFX Management

• KIM Nam-joon - Technical Director

• KIM Seok-jin - Steady Cam

• KIM Seul-ki - Assistant Art Director

• KIM Seung-gyu - Lighting

• KIM Seung-phil - Stunt

• KIM Suk-won - Sound

• KIM Sun-hwa - Scripter

• KIM Sung-tae - VFX Supervisor

• KIM Tae-ha - Foley artist

• KIM Wu-hyeong - Director of Photography

• KIM Yong-kook - Foley artist

• KIM Young-hee - Production Design

• KWON Yang-hun - Trailer

• KWON Yoo-jin - Costume Designer

• Kim Kyunghee - Online Markting

• Kwang-Hyun RYOO - VFX Artist

• LEE Eun-su - Editor

• LEE Jong-hwan - Special Effect Make Up

• LEE Nam-hee - Executive Producer

• LEE Young-hyun - Technical Director

• LIM Hyung-ju - Production Sound Mixer

• MIN JU JUNG - VFX Artist

• MOON Jae-hong - Foley artist

• PARK Ji-hyeon - Assistant Editor

• PARK Jin-ho - DI,VFX Management

• PARK Jung-ryul - Action/Stunt

• PARK Nam-surk - Color Grading

• PARK Sang-chul - Technical Director

• PARK Sun-hwa - Technical Director

• PARK Yoo-chan - 1st Assistant Director

• PARK Young-soo - VFX Supervisor

• RIM Seung-hee - Costume Designer

• SEO Jeong-hoon - Producer

• SHIN Chang-ho - Technical Director

• SHIN Dae-yong - VFX Artist

• SHIN Dong-myoung - Technical Director

• SHIN Jae-ho - Special Effect Make Up

• SHIN Ju-hee - Special Effect Make Up

• SHIN Young-ho - Technical Director

• SONG Byung-ki - Assistant Director

• Susan Chae - DI

• Yang Yu-mi - Make-up Design

• `121231As the director who reveals the film’s message in its title, such as <A Good Lawyer’s Wife> and <The President's Last Bang>, this film is no different. <Taste of Money> is spiritual sequel of his previous film <The Housemaid> (2010). A young girl Nami, in shock by witnessing the suicide of Eun-yi at the end of <The Housemaid>. Fully grown up as a divorcee with a child of her own, Nami is now the main character of this film. If <The Housemaid> revealed the bitter side of the Korean society captivated by desire for money and power through a young couple in upper class, director IM will do it once again through a large family consisting of several generations. Thus, it is known that this film contains more plots and stories, related to desire for money and the level of exposure scenes is much more stronger than that from <The Housemaid>. However, different from <The Housemaid> with outspoken repulsion and contempt for the upper class, director IM will follows the conventions of a commercial film by adding a love story into the mix.

• GUIMOON: THE LIGHTLESS DOOR Wins Audience Award at Vancouver Asian Film FestivalJan 04, 2022

  The Korean horror film GUIMOON: The Lightless Door from director Sim Deokgeun won the People’s Choice Overall Feature Film Award last month from this year’s 25th Vancouver Asian Film Festival (VAFF). Also on the awards list was filmmaker Hwang Donghyuk, who picked up the Most Impactful TV Series prize for his Netflix smash Squid Game.The film stars Kim Kangwoo (The Taste of Money, 2012) as a paran...

• HEAVEN: TO THE LAND OF HAPPINESS to Open 26th Busan Film FestivalSep 06, 2021

  BIFF Announces New Currents and Vision ProgramsAhead of its official unveiling later this month, the Busan International Film Festival (BIFF) has started revealing several sections of its upcoming 26th edition, such as the New Currents and Korean Cinema Today-Vision programs, as well as this year’s opening film. Kicking off the festival on October 6 will be the world premiere of Im Sangsoo’s Heave...

• Korean Film Archive Reveals YOUN Yuh-jung RetrospectiveMay 03, 2021

  KOFA to Present 18 Works from Academy Award Winner’s Illustrious CareerYOUN Yuh-jung, who made history last month as the first Korean performer to earn an Oscar at the Academy Awards, where she picked up Best Supporting Actress Award for Lee Isaac CHUNG’s Minari, will become the subject of a comprehensive retrospective this month. The Korean Film Archive (KOFA) will present a program comprising 18...

• Korean Cinema Today’s February webzine is outFeb 13, 2012

  This month’s issue of the <Korean Cinema Today> webzine has gone live with a top feature story on the most anticipated films of 2012 in Korea. Film journalist KANG Byeong-jin profiles hot upcoming releases such as IM Sang-soo’s <The Taste of Money>, CHOI Dong-Hoon’s <The Thieves> and KIM Ji-hoon’s <The Tower>. A second feature gathers together profiles of the Korean films...

• THE VANISHED Erases TOMB RAIDER in DebutMar 13, 2018

  Another quiet weekend kept admissions flat at the Korean box office, with 1.59 million tickets sold. Through a selection of mid-range local titles, the Korean film industry maintained a market advantage with a 60% share of sales. Coming in at number one during its debut was the mystery-thriller The Vanished, which bowed with a respectable 524,000 admissions (USD 4.15 million), with 654,000 sales (...

• Box office, August 1-15Aug 27, 2012

  The first half of August was witness to a record-breaking performance by CHOI Dong-hoon’s The Thieves, which became the sixth Korean film in history to pass the 10 million admissions mark. Originally released on July 25, the film sold more than 6 million tickets from August 1~15, recording its 10 millionth ticket overall on August 15. The 22 days it took to reach the milestone was the shortest tim...

• Box office, June 1-15Jun 26, 2012

  Korean films took the top two slots at the box office in the first half of June, fending off competition from Hollywood releases <Men in Black III>, <Madagascar 3> and <Prometheus>. Leading the pack was <The Concubine>, a costume drama set during the Joseon Dynasty. The sexually explicit film is directed by KIM Dae-seung, best known for his debut film <Bungee Jumping of...

• London Korean Film Festival (2016) - Actor Focus: Baek Yoon-sik

• Buenos Aires Korean Film Festival (2016)

• Black Movie Festival (2013) - To be followed returns

• Florence Korea Film Fest (2013)

• Taoyuan Film Festival (2013) - Korean Wide Angle

• Korean Film Festival DC (2013) - New Korean Cinema

• Fribourg International Film Festival (2013) - Carte Blanche to Neuchâtel International Fantastic Film Festival

• New Zealand International Film Festival (2012)

• Buil Film Awards (2012)

• Busan International Film Festival : BIFF (2012) - Korean Cinema Today-Panorama

• SITGES – International Fantastic Film Festival of Catalonia (2012)

• Melbourne International Film Festival (2012)

• Melbourne International Film Festival (2012)

• Paris Korean Film Festival (2012) - AVANT-PREMIÈRES

• Cannes Film Festival (2012) - Competition

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